“Elusive Shapes” [“Forme sfuggenti”] is a travelling art project dedicated to Erminio Tansini’s sculptures.
The project is accomplished through photographic sets, using Tansinian statues in places that are not normally used for expository and cultural events.
Thanks to their architectural and landscape characteristics, these locations manage to exult and transform the sculptures themselves.
The camera has the task to succeed in obtaining the material for the procedure: capturing images, that define the visual interaction among the works of art, architecture and landscapes, which remains usable even after the set has been dismantled.
The project is directed by Davide, the artist’s son.
In sculpture, Erminio Tansini has been dedicated to Informalism since the mid 1990s.
The artist creates his statues by using bronze or wood (the latter, sometimes, with stone inserts).
Differently from his paintings and bronze sculptures, Erminio Tansini had for many years considered the production of wood statues as something intimate, and avoided exposing them at exhibitions and other cultural events.
But, presenting a collection of four wooden artworks, the artist was invited to participate at the 57th Venice Biennale.
Erminio Tansini has been doing wooden sculptures since the beginnings of the 1990s.
The greater part of the wood that he uses, comes from the Northern Apennines (above all from the Riviera Spezzina, from the Trebbia Valley and from the Taro Valley; a minor part from the Nure Valley, from Lunigiana and from the Tidone Valley).
The wood does not come from sawmills or lumber-yards. It is recouped from beaches and pebbly riverbeds, and the creation of the artwork actually begins when the artist identifies and retrieves the pieces of wood.
When the material is collected, it is usually found hollowed, corroded, smoothed or bleached by nature.
Wanting to respect and enhance these inimitable natural qualities, Erminio Tansini creates his sculptures by limiting any mechanical intervention.
Each sculpture is generally made, by using two or more wooden pieces.
Tansini’s statues display sinuous, jagged and knotted features; light bodies, or on the contrary – massive, majestic ones. However, they are always depicted with a very noticeable tension and dynamism.
The apparently rough and casual development of silhouettes and masses thus obtained, offers numerous, pareidolic starting points (i.e. the ability to recognize shapes or forms in apparently casual profiles).
The recognition of these shapes and silhouettes is forever-changing, and depends on the point of view and perception of each single observer.
For the“Elusive Shapes” project, Tansinian sculptures are set in places like castles, cliffs, archaeological sites, watercourses or similar, wood and forest clearings, and rocky land sites.
The search and choice of the location is based on numerous elements: light, vegetation, water, terrain, altitude and landscape.
Each event in the programme is conceived, according to the architectural and landscape elements of the place where the event is being set up.
The scenery becomes part of the photographed image, not just as a simple backdrop, but as a unique distinguishing element – interacting visually with the sculpture to the point of executing a reciprocal transformation, thus creating surreal, dreamlike, fantastic scenes.
Material used for settings is reduced to an absolute minimum, in order to facilitate adaptation to situations and reduce surrounding environmental impact.
The theme of recycling and regeneration is one of the peculiar aspects characterizing both Erminio Tansini’s sculptures and the travelling art project “Elusive Shapes”.
Let us begin with the wood used for the statues. The artist does not obtain the material before the tree is knocked down, or while it is still standing: instead he chooses it from among roots, trunks, branches and stumps.
Apparently useless and non-recyclable pieces: carried naturally along watercourses, beached by waves or crumbling in mountain crags, often heaped in places that are difficult to access.
It is about recycling material and settings. Beaches, pebbly riverbeds and mountainous slopes are reconquered for their artistic value, so that they can become the basis for the creation: right at this point and thanks to a meticulous research, does the artist identify the elements that he considers more meaningful.
After that, Erminio Tansini regenerates the wooden pieces in his workshops: he works to slow down the deterioration and assembles them, giving them a sort of new artistic existence.
A new existence including even the regeneration of a new visual perception. By uniting the various elements, the artist accurately studies the succession of lines, masses, outlines and chiaroscuro to create mutating elusive scenes.
Just like the places the wood comes from, so are the settings for the “Elusive Shapes”. They are often set outside urban areas or even in places that are difficult to access: consequently, little suited or used for traditional exhibitions. The photographic sets of the exhibition regain or even restore the artistic space.
Regeneration also involves the perception of space. Photographs that are taken during set-ups, each propose a different point of view about the architectural and landscape elements that make up the surrounding environment: in the images, each thing is reinterpreted dimensionally and perspectively until its transformation.
As of October 2019, the “Elusive Shapes” project has had 42 stopovers in Italy, Switzerland, France and Principality of Monaco.
Places where photographic sets have been organized, include the Ciani Park in Lugano, the Humpback Bridge [Ponte Gobbo] near Bobbio (Piacenza), Sforza Castle in Milan, Brescia Castle, Cape Mesco near Monterosso al Mare (La Spezia), the Carnolès Beach [Plage de Carnolès] at Roquebrune-Cap-Martin (Alpes-Maritimes), the Riomaggiore Beach (La Spezia), Doria Castle in Porto Venere (La Spezia), the Covered Bridge [Ponte Coperto] in Pavia, Mount Brugiana near Massa, Saint George Castle in La Spezia, Prince’s Palace [Palais Princier] in Monaco, the Pontoon Bridge [Ponte delle Barche] near Bereguardo (Pavia), Torrechiara Castle (Langhirano, Parma), Canossa Castle (Reggio nell’Emilia), the Devil’s Cave Beach [Spiaggia della Grotta del Diavolo] near Vernazza (La Spezia), Brown Castle in Portofino (Genoa).
Photographs taken at “Elusive Shapes” sets, have been exhibited at some exhibitions, these belonging to the series “Chimeras” [“Chimere”] and “Shapes, Substance, Colour” [“Forme, materia, colore”] which have taken place since July 2018. Both of these have been dedicated to Erminio Tansini’s artistic work.
Being thought of specifically, to present “Elusive Shapes” images to the public, the “Chimeras” series has, up to now, been carried out five times: Itineraries of Impressions [Percorsi d’impressioni] (Vernazza, Doria Castle, July-August 2018), Unexpected Perceptions [Percezioni inattese] (Porto Venere, Doria Castle, September 2018), Concrete Illusions [Concrete illusioni] (Piacenza, Saint Peter Palace, May-June 2019), Changing Appearances [Mutevoli apparenze] (Monterosso al Mare, Town Hall, July 2019) and Visual Sensations [Sensazioni visive] (Lodi, Saint Philip Palace, September 2019).
“Shapes, Substance, Colour” has the intention of proposing the entire variety of Tansini’s artistic production (painting, sculpture and photography). Regarding this, it must be noted that the “Elusive Shapes” photographs have already been exhibited within the Mirages [Miraggi] exhibition (Levanto, Town Hall, August 2019).
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© «In arce». All rights reserved – Published on September 27th, 2019 – Updated on October 9th, 2019